Universal #2033
Legacy number: 2033
| Number | 2027 |
| Original | Measure the (sonorant) rime duration, and you'll get the right contour tones in the right places: (a) by syllable type: CVV >> CVR >> (CVO) >> CV (b) by # of syllables: monosyllabic >> bisyllabic >> polysyllabic (c) by prominence: stressed >> unstressed, root >> affix syllable (d) by tone: R >> F >> H, L (e) by language-particular phonetics |
| Standardized | IF there are contour tones in place X on any of the hierarchies in (a)-(d), THEN there are contour tones also lower on each hierarchy:(a) syllable type: CVV >> CVR >> (CVO) >> CV(b) number of syllables: monosyllabic >> bisyllabic >> polysyllabic(c) prominence: stressed >> unstressed, root >> affix syllable(d) tone: R >> F >> H, L |
| Keywords | tone, contour tone |
| Domain | phonology |
| Type | implicational hierarchy |
| Status | achronic, diachronic |
| Quality | absolute? |
| Basis | 105 lgs (Gordon 2001), 187 lgs (Zhang 2001) |
| Source | Hyman 2003, summarizing Gordon 2001 and Zhang 2001, with a critical intention |
Discussion
Notes
"[there is] an implicational hierarchy of tone bearing ability, whereby lng vowels are most likely to carry contour tones, followed by syllables containing a short vowel plus a sonorant coda, followed by syllables containing a short vowel plus an obstruent coda, followed by open syllables containing a short vowel [...] syllable types which are phonetically better suited to carry tonal information are more likely to support contour tones". (Gordon 2001: 405)"[...] the distribution of contour tones is found to correlate closely with the duration and sonority of the rime. Syllables with longer rime duration, e.g. those that are long-vowelled, sonorant-closed, stressed, prosodic-final, or in a shorter word, are more likely to carry contour tones." (Zhang 2001: xiv-xv)See #2034.
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"[...] the distribution of contour tones is found to correlate closely with the duration and sonority of the rime. Syllables with longer rime duration, e.g. those that are long-vowelled, sonorant-closed, stressed, prosodic-final, or in a shorter word, are more likely to carry contour tones." (Zhang 2001: xiv-xv)
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